Tuesday, 31 January 2017

Definitely Glasgow

Wednesday, January 25th, 6:30pm, 2017, Somewhere in the West of Ireland.



Dear Reader,

I just came from a French café where I went to study for my French test tomorrow, and I felt like a pretentious protagonist in a film of some sort, but then it felt nice because I did a lot of revision on the conditional tense.

But,

 at some point, it just started to feel like the words were blurring

or dripping

through the page, and out on to the other side in a big tangle of letters.

I kept thinking: Why is the conditional tense seen as one of the most important ones? Why would one do this when one should’ve done that but couldn’t have done?

Isn’t it that you want something or you don’t?

That said, I can be indecisive at the best of times.
Had I gone to the library like I had planned, the conditional tense wouldn’t have made me overthink everything (maybe?) but instead I went to the café in college and played Charades with the guys, and yet, I then left with no regrets because we ate muffins and laughed until we I cried.

There is no would I could I should I when it comes to muffins.

There is only I can, and I will.

I can only hope that tomorrow’s French test will be as inviting. Those ‘indefinites’ that bounce ceaselessly through my mind’s hall of mirrors will become more

Definite.

Someday,

decent grades and a good night’s sleep will no longer have to rely on the conditional tense, because they will be as pleasant and unconditional as muffins and games of Charades with the guys,
no matter how often French grammar might not deem them to be so.



*

Monday, January 30th, 6pm, 2017, Somewhere in the West of Ireland.

Dear Reader,

Begin with a bang! – That’s what I learned at the Writing Workshop I went to on Wednesday evening, in which we began with five minutes of free writing - Writing non-stop for five minutes about the first thing that comes into your head, and so thoughts of my ‘indefinites’, Charades, and muffins tumbled from my pen, and of course they did so, again and again.

    The white room where we wrote whilst wrapped in piano music and a jasmine aroma, was like a setting best designed to distract me from the French test I was so unsure of; A test that turned out to be more definite than I’d imagined, perfectly okay in the end, and not nearly as bad as I had thought it would be.

    Beginning with a bang in this case had to start with Thursday’s night of laughter and card games preceding a bus to Dublin Airport at two in the morning, because my musical friends and I would be heading to Glasgow for the Celtic Connections festival.

    After the lullaby from Dreamworks’‘The Prince of Egypt’ had pulled me to sleep through my ear phones for two hours of the bus journey, I found myself in Dublin, and as a shadow of myself. I The zombie trudged on like a slow eroding stone; yesterday’s makeup melting into her skin and mascara cementing eyelashes together; The airplane’s turbulence repeatedly jolting her awake, fusing with the panic of flying and last semester’s unknown and indefinite exam results that loomed overhead.

    But later, those indefinites that had shaken me, had now muted themselves as the zombie I took a lovely nap in Glasgow’s botanic gardens, and walked around humming the theme from ‘Jurassic Park’ to myself. I relished in the earthy floral scent, and wished aloud that I could take a photo of this smell. I wish we could take pictures of smells, because sometimes something’s scent can be more pivotal to its beauty than by the way it meets the eye. My friend, an engineer, disagreed; saying that I shouldn’t speak so soon. - A bird could poo on my head and then I’d think differently!

    How funny and interesting it was to see how my friends from different backgrounds and college courses could think so differently, and react to a city in such contrasting ways. Where a writer might say: ‘Look at those beautiful lights!’, whilst exploring Glasgow’s streets at night, an engineer might say ‘Look at that cool building!’, and both statements would be weighed equally in terms of truth and enthusiasm.




    Likewise, everyone had their own personal highlights of the trip. I’m still deciding on mine, but to start with, I liked the graveyards and abandoned buildings.



Well, just consider that for a moment. That moment may be fleeting because I know you’d rather think about nicer things than graveyards and abandoned buildings, and I don’t blame you, but all it takes is a moment of your time to consider that these places equate to libraries filled with stories; some finished and some not yet written.

    The tombs of a place of rest are often formed with intricate details. In a graveyard, I always feel the fire as it gets closer. I feel it crawling up from the inside as it makes my cheeks redden, and it’s all I can think about these days.

Really,

when all I can think about is writing, my mind becomes a tunnel. It is closed at both ends, with writing bouncing back and forth from both sides and into the centre; tiresome flames licking its feet.

Should I be happy? Sad? Scared? Excited?

This thing, this… beautiful peril that can simultaneously tear me apart and make me feel so whole has to be worth it, when all it started from was a blank page.

    The graveyard in Glasgow was peaceful enough for me to listen to these truths about writing that I think of so often. I stopped occasionally to admire the unique tomb stones, trying to imagine what these people’s lives might have been like before they had ended, and jotting down names that I liked and could use as potential names for characters.




In a place so cold, I felt so warm because
I like graveyards.
I like the stories they tell.

They instil a serenity in me in the same way that stories always have, and I hope that no matter how much technology develops in future, people will still read bedtime stories to their children, because without stories, dreams are just boring hallucinations.

    A popular opinion amongst my friends suggests that the music was the best part of the trip by far, and of course, they wouldn’t be wrong. We had many many tunes, between playing music together in the hostel we stayed in and having tunes again in the concert hall. The standard of music played by the acts on stage in the festival club was so high that it left me ranting to my friends late on Friday night about how I wanted to cry over how talented those bands were. Three of us left the club to get some greasy food; arms linked so that we wouldn’t fall down the hill that lead to the chipper. We sang old Irish songs through our voyage, only to return to the club for another few hours after we’d eaten our food.
 – Ready to dance again for sure.




    I like spotting the difference between Irish & Scottish traditional music. It’s all in the ornamentation really; Scottish trad bounces through repeated notes whilst Irish trad swirls through its rolled notes. These observations make me think of the time when I first heard the difference between expressive, Parisienne French and calm, Moroccan French, and in all my years of learning the language, I had felt like I’d finally made it. Well, I don’t always feel like that these days, but having that memory to lean on is what allows me to keep trying, day after day.

    The same can be said for my years spent playing tunes. The Scottish tunes’ octave leaps could also be heard in exclamations of Scottish Gaelic, the country’s native language which is so similar to our own here in Ireland. Again, I had felt like I had made it in Glasgow (and in life, somewhat), when I was having a conversation with a man in the concert hall who spoke to us in Scottish Gaelic as we responded in Irish Gaelic, and despite the differences between the two minority languages, I could understand everything he was saying to me; As if I needed any other reason to love words more than I already do.




I love words; I love how they develop and complement each other, though they might not come from the exact same language. That said, they have definitely stemmed from the same seed. I could hear the octave leaps from Scottish Trad in this man’s voice; It was the cheerful rise and fall of his accent that had invited my ears to listen, and had enabled me to understand a language I had never spoken before.

    Such success regarding that minority language did not help me in my understanding of a Canadian minority language on Saturday night, when I met the Canadian Trad band that had been playing on stage the night before. They tried their best to teach me parts of their language, but now I can’t remember a single word of it, nor can I even remember the name of the language which is a real shame. However, I do remember one word that kept coming up over and over again amongst the new friends I’d made for the night, and that was my very own name – Mairéad, because they had never heard a name like it before and it gave them the giggles.




    I was most definitely in favour of the lols because with each lol came a free drink, and the lols were quite funny to be fair, like when one guy asked me: ‘when are we going to the marching marade, Mairéad?’, and following that, my new friends promised to always think of me when they went to a parade as it rhymed with my name, and of course, I laughed most when one of them asked me: ‘Mairéad, Mairéad, do you like Charades ‘cause your name is Mairéad?’

‘Yes.
Yes I do like Charades, and muffins are good too’,
I said, laughing because the whole thing had reminded me of my free writing from Wednesday’s work shop when I talked about the muffins and the Charades and how they collectively acted as the catalyst in my attempt to stress out less when it comes to French tests, and exam results.

Exam results,

which by the way turned out to be more definite than I’d imagined, perfectly okay in the end, and not nearly as bad as I had thought they would be.

-As pleasant and unconditional as muffins and games of Charades with the guys,

like marvelling at train sets and cuddling Penguin teddies with friends in Hamley’s toy shop,

like eating greasy food and using ‘we’re on holidays’ as an excuse,

like sitting on the tops of bunk beds to play tunes and comparing it to the wings of an orchestra,

like harmonizing with Irish song after Irish song,

like laughing for so long that you can’t remember what you were laughing at to begin with,

like hearing a friend play a tune that you hadn’t heard since childhood,

like making your way in troops to a hotel you’re not even staying in after the club has closed, just to go to another Trad session,

like witnessing a friend run into the boys’ room at 7am to sing to them and then run out the door again,

like hearing the bagpipes and drums from all ends of all streets,

like drinking espressos in order to keep going,

like seeing the dog that collected the busker’s money,

like the feeling of warmth in cold air,

like a dream,

like a story.

Without stories, dreams are just boring hallucinations. It is these stories that eventually fuel my confidence in my abilities; whether it be in my ability to speak another language, or in my ability to play music, or in my ability to be a friend and a good bearer of muffins.

It is these stories that make my ‘indefinites’ seem more definite.

And that…
was definitely Glasgow.





Ciao,

Madame Mayreed. x

Sunday, 15 January 2017

Fighting Zombies with Meryl Streep


Tuesday, January 10th, 8:45pm, 2017, Somewhere in the West of Ireland.


Dear Reader,



I woke up at 6am this morning because I thought I had fallen, and I didn’t get back to sleep, having just had a scary dream about zombies.

I tossed and turned; feeling bad because it had been me who had doomed all humanity with zombies, and feeling guilty, because I had been fascinated by the idea of survival in the dream, until I was suddenly in a bar stood next to Meryl Streep.

Of course that didn’t last very long, because then a zombie bit me and the floor collapsed beneath my feet.

I swear, had I waited another two seconds to wake up, Meryl would’ve stopped me from falling, and we would have saved the entire world together.

     I’ve recovered now from the zombie hysteria, because coffee exists, and although the red upon white that surrounds my irises has now blended into a variation of what I can only call angry owl eyes, I am bubbling over with anticipation. I am thinking about the music I will play with my friends tonight in less than an hour’s time and those tunes that are certainly worth staying awake for.

     That said, and even now, I can’t help but compare that sensation of falling in a dream to the breathlessness of last week in which I tried to write a short story every day, for seven days, and failed. (Oops)

I am now simultaneously proud and overwhelmed by dark plot points in which all of the bad things happen to my characters, in the four short stories I wrote over the course of last week. It’s as if I’m holding myself at arm’s length, sometimes saying: ‘I’m proud of what I’ve written here.’

Following that, I read back over what I’ve written and say: ‘Oh, wow, I am a lot stranger than I thought I was, with stories more sinister than I’d originally planned.’

But, this is good, no?

Does this mean I’ve written something that’s… okay?

     Getting into the rhythm of writing and noticing the odd little things you write about is a lot like waking up from a bizarre dream and realising that on some level, you really would like to be a Disney Princess, or you know, just turn into a dinosaur.
You don’t really know why you would want either of these things, and you might even feel ashamed about it.

     I believe now that most of the time, the sub-conscience should by smiled at rather than shunned. I say this, having spent the week (well, most of it) wringing clear every crevice of my mind to see what I might find for writing materials.



Hopefully, my odd little writing tropes (or writing guilty pleasures, if you will) might make you feel better about the weird dreams you’ve had, especially if you’ve ever sparked the end of the world whilst under the watchful eye of Meryl Streep.

(Just me?)

1) Foreshadowing

When I sprinkle clues between paragraphs of prose, I imagine witches tossing ingredients into a cauldron. It is menacing, and oddly delightful.

Foreshadowing is a teaser trailer of what’s yet to come. It is small, and sometimes it will seem insignificant, so you might skim over it when reading.

Foreshadowing finally creates an expression in my mind for the faceless reader; Eyebrows risen when they realise that they never saw the twist coming. They rifle back through my story, picking every sentence apart; shocked by how they never noticed the clues. Now, when each clue is neatly stacked on top of the one that came before it, everything makes sense, like four notes fused together to create a chord.

And, even though I am probably just wearing my pyjamas, and sitting by the fire with a glass of wine as I write and imagine the strife of my imaginary reader, I feel like I am the villain of a fairy tale. I am chuckling to myself in a dark corner somewhere, and I love it.



Is this how George R. R Martin feels when he kills off characters?
Wow, I sound like a monster.

But,

why write with a faint HB pencil when you can write with the more memorable scalpel?

I can assure you that the reader will prefer the scalpel, as will you.

2) Eyes

Should the whiteness of my eyeballs ever become cross stitched in yellow brush strokes, beside widening pupils and a reddening eye colour, then you would be right to question them as they would look nothing like my original eyes. If my eyelids became hooded and angular along navy eyelashes curling inwards, then please, definitely question them; though they might look striking, they are not my eyes.

The best thing to do would be to ask the owner of these eyes to write you a story. The protagonist of their story should then have pretty eyes, or at least, an affinity for such eyes. If neither of these motifs apply to the short story, then it isn’t me who wrote it and I do not own these eyes. In fact, you should send for help because in this scenario, I have most certainly been replaced by an alien clone.

It has taken fifteen years (I think?) of writing stories for me to realise that I really do love writing about eyes, and they are probably my favourite things to describe.



Sometimes I get half way through paragraph number two of a writing project when I am still just describing the left eye and I haven’t even gotten started on the right one, when I realise that I need to move on to describe smiles and hair colour now.

But, it is a habit of mine that I still find hard to break,
(and embarrassingly so.)

 In my week of short story writing, I’ve come to see that this is the reason why I find prolonged eye contact to be so challenging.
When a new person becomes my friend, it means I have familiarized myself with their eyes and have now accepted how lovely they are (both the person and their eyes), and eye contact is not too tasking, but for the fleeting moment when I first meet a new person, eye contact doesn’t come easy, because I wouldn’t wish to scare anyone with an odd and long winded compliment about their eyes…



but then again, maybe I should just start doing that,

because maybe it would make their eyes smile brighter than before,
and today is about embracing the sub-conscience mind, isn’t it?

     Oh… Aye me (get it?) I suppose you can imagine the awkwardness I experience any time I have an appointment with an optician; Answering questions about my own eyes for a change, whilst being told to follow a moving light and to stare into the serious eyes of another.

It’s a bitter form of multitasking, that is.

But,

these types of serious eyes could fill paragraphs.
Their irises sing in sad songs; revealing the real person behind the music, and it’s those eyes I like best.

I could write about them forever.



3) Flowers


Flowers serve so many purposes in prose and in real life, like comfort or decoration. They have already been equipped with symbolism for a writer’s use, so that makes things convenient for us.

I’ve noticed that I like to fabricate inversions of this symbolism that surrounds roses.




Red roses once preserved everlasting love, but now they can stand for a betrayal, and this betrayal is easily concealed by the beauty of fully fleshed rose petals.

Where yellow roses once embodied joy and protection, they can now reveal a character’s insanity, as each petal begins to wilt.

Where white roses once incited purity and new beginnings, they can now be laced with destruction and the end of the road for a struggling character.

This leads me to talk about the last of my guilty pleasures in writing.

4) Death





Hear me out.

I don’t get some sort of sick joy out of killing characters. In fact, killing characters can take a real emotional toll on the writer.

I, for one, start to feel evil when I reach the death scene of one of my characters. Pyjamas become day wear and cups of tea become immortal, and when I eventually accept that it’s okay to play God in a fictional universe, my brother does a double-take at my appearance, because it is most unusual to see me smiling in normal people clothes on a Sunday afternoon.

That said,
death is so important in any story in which it occurs.

Have you ever stopped to think about what would happen had you not accepted that new job, or had you chosen to take a year out before starting University? How different your life would’ve been with different people in it. Who knows if you would even like espressos anymore, or if your favourite colour would still be red?

Well, fiction forms an exaggeration of this façade.

An odd bout of death in any fantasy novel can only string the plot along.

When the sidekick dies, the Superhero is forced to avenge his death; thus saving the whole world, which wouldn’t have happened, had the sidekick not died first.

I like seeing how death can change my characters.

The protagonist is rolled in grief at first, but then they start to stitch together their very own plot, and in this way, 
the underdog can finally bite.

So, the next time a favourite character of yours dies in ‘Game of Thrones’, just know that the author hasn’t killed them in cold blood.

There is always a reason behind fictional death.


Writers are wild creatures.

They blame themselves for the fall of humanity that came to them in a dream, when in fact, it was all just a dream.

In reality, all writers should know that it’s okay to be intrigued by the sub-conscience mind, as long as they themselves lead healthier lives than their characters.




So,

good luck in facing and embracing your zombies, and please,
write with a scalpel,
for it carves a better novel than a HB pencil ever would.

And really,

all the zombies ever wanted was to be understood.

Ciao,





Meryl Streep (plot twist?)

Madame Mayreed x